About the Museum.
A diverse and multifaceted cultural and educational enterprise, the National Museum of the American Indian (NMAI) is an active and visible component of the Smithsonian Institution, the world's largest museum complex. The NMAI cares for one of the world's most expansive collections of Native artifacts, includingobjects, photographs, archives, and media covering the entire Western Hemisphere, from the Arctic Circle to Tierra del Fuego.
The National Museum of the American Indian operates three facilities. The museum on the National Mall in Washington, D.C., offers exhibition galleries and spaces for performances, lectures and symposia, research, and education. The George Gustav Heye Center (GGHC) in New York City houses exhibitions, research, educational activities, and performing arts programs. The Cultural Resources Center (CRC) in Suitland, Maryland, houses the museum's collections as well as the conservation, repatriation, and digital imaging programs, and research facilities. The NMAI's off-site outreach efforts, often referred to as the "fourth museum," include websites, traveling exhibitions, and community programs.
Since the passage of its enabling legislation in 1989 (amended in 1996), the NMAI has been steadfastly committed to bringing Native voices to what the museum writes and presents, whether on-site at one of the three NMAI venues, through the museum's publications, or via the Internet. The NMAI is also dedicated to acting as a resource for the hemisphere's Native communities and to serving the greater public as an honest and thoughtful conduit to Native cultures—present and past—in all their richness, depth, and diversity.
Skateboarding is an indigenous sport. The modern skateboard, or deck, owes its heritage to thepapa he‘e malu(surfboards) andpapahÅlua (land sleds) of Native Hawaiians. And did you know that the International Association of Skateboard Companies estimates that nearly 12 million American children participate in skateboarding—more than the number enrolled in Little League Baseball? Skateboarding is also one of the most popular sports on Indian reservations, and the subject of Ramp It Up: Skateboard Culture in Native America, a highly successful exhibition at NMAI in Washington and New York. So it seemed only fitting to find a way to bring skateboarding—and the wonderful content from Ramp It Up—back to the museum. But how could we do this in a small space? Enter the I.T. (Information Technology) staff and the game Tony Hawk: Shred, here played on a Wii.
At various times during the months of April and May, you may have seen us testing the Shred skateboard experience with visitors. We’ve been checking to see if the public understands the themes and messages and if the interactive can work without regular, direct staff involvement. We’ve been pleased to find the answer to these questions is yes. We’ve enjoyed watching visitors from young children to older adults approach the skateboard. Some people have known exactly how to work the controls, gleefully speeding toward the finish line while their friends or parents offer congratulations for a game well skated. Others have steadfastly tried to complete a run after they electronically ate it, hearing the game's “Oooo!” followed by a sympathetic “Ow!” from the gathered crowd.
Ramp It Up: Skateboard Culture in Native America
June 12, 2009–November 1, 2009
NMAI on the National Mall, Washington, DC
June 12, 2009–November 1, 2009
NMAI on the National Mall, Washington, DC
"Ramp it Up celebrates the vibrancy, creativity, and controversy of American Indian skate culture. Skateboarding combines demanding physical exertion with design, graphic art, filmmaking, and music to produce a unique and dynamic culture. One of the most popular sports on Indian reservations, skateboarding has inspired American Indian and Native Hawaiian communities to host skateboard competitions and build skate parks to encourage their youth. Native entrepreneurs own skateboard companies and sponsor community-based skate teams. Native artists and filmmakers, inspired by their skating experiences, credit the sport with teaching them a successful work ethic. The exhibition features rare and archival photographs and film of Native skaters as well as skatedecks from Native companies and contemporary artists."
The avent has also been advertised and promoted by other skate websites, showing the wide amount of support Native american skateboarding has in and outside their own community ...http://skateandannoy.com/2009/05/page/2/
The avent has also been advertised and promoted by other skate websites, showing the wide amount of support Native american skateboarding has in and outside their own community ...http://skateandannoy.com/2009/05/page/2/
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